Working primarily with calligraphy inks, graphite and liquids, such as tea, brandy and vodka Griffiths’ fascination with drawing focuses on the creation and manipulation of the drawn line. Images explore human, geometric and floral forms, in a combination of both literal and abstract translation and in response to images and situations encountered in daily life. Images are recorded in a dreamlike sense onto the page where physical boundaries are unimportant. His work creates a journey of escapism which focuses on scenes of awe and wonder, projecting a sense of abandonment and inviting the viewer to share and explore this inner realm.
Since establishing his own studio in 2010, Carne has exhibited in the UK at the London Original Print Fair at the Royal Academy, the London Art Fair in both 2011 and 2012, and overseas at Urban in Ibiza in 2011 and Arts After Dark, New Orleans in 2010. Carne also collaborated with the British photographer Rankin for a feature in the 2nd edition of Hunger Magazine early in 2012.
This week's 'On the Streets' focuses on the subtle humour and finer elegance of street art. The pieces that caught our attention, located mostly in NYC and London, are all conceptually fresh, original and have something of a Duchampian aura.
Leading off is this brilliant Jilly Ballistic 'Exit' paste-up somewhere deep in the Brooklyn subway. Well-known for her intelligent, full of humour interventions, the artist continuously put thought-provoking anti-advertisements or into fine-looking collages, not being afraid to speak out; pasting stickers of gas-masked nurses and WWII soldiers. The result is more than satisfying. Image via the artist.
Other notable pieces come from Mobstr in London, Pose and Joei Urato in NYC, Cyrcle in London, Anthony Lister in Melbourne, Nunca in Paris and Borondo back in London.