Delivering politics with deadpan humour and absurd simplicity, stripping complex issues down to bold, almost childlike drawings and phrases. His work satirises authority, human folly, and exposes the ridiculousness of modern life while sneaking in a sharp political critique. By making the serious look silly, Shrigley invites us to laugh first and then question everything.

Grayson Perry tackles politics with sharp wit and disarming humour, using ceramics, tapestries, and prints to interrogate class, identity, and the structures of power. Beneath the decorative surface lies biting social critique. His work blends beauty with satire, holding up a mirror to society while never shying away from uncomfortable truths.

The Connor Brothers blur fact and fiction to take aim at political spin, media manipulation, and society’s obsession with truth versus illusion. Witty, ironic, and confrontational, their art dismantles propaganda with a knowing wink.

Banksy’s work is unapologetically political, using satire and subversion to expose the hypocrisies of power, wealth, and authority. From anti-war imagery to critiques of consumerism, surveillance, and inequality, his street pieces transform public walls into platforms of resistance.

Tracey Emin’s work is deeply political in its raw honesty, confronting taboos around sexuality, trauma, feminism, and the female body. By unapologetically laying bare her personal experiences, she challenges patriarchal narratives and reclaims vulnerability as a form of strength.

Tim Fishlock’s work brims with political bite, using bold typography, colour and wit to dissect consumer culture, media overload and the noise of modern life. His playful yet confrontational text pieces cut through with sharp social commentary.