From Banksy to Pettibon, these text-driven works make a statement. Explore now. ||
Curated
Text Art

Art That Speaks – A Curated Collection

For centuries, artists have used text as a powerful visual tool—whether carved into stone, painted on walls, or woven into contemporary culture. Today, the fusion of words and imagery continues to challenge, provoke, and inspire.

We’re excited to present a handpicked selection of works that exemplify this tradition, featuring some of the most compelling artists in the field: Banksy, Nancy Fouts, Harland Miller, Tim Fishlock, and Raymond Pettibon.

All works are available for purchase—simply click the links to checkout. If you have any questions, just hit reply, and I'd be happy to assist.

All my best,

Sophie Gibbons | Sales Specialist

Banksy
GDP Cushions
A playful yet subversive take on consumerism, transforming everyday home décor into an artistic statement.
Cushions
Objects
Banksy
Cushions
£8,950
View Work
Nancy Fouts
Exit Jesus
An inventive twist on religious symbolism, merging wit and provocation in classic Fouts style.
Exit Jesus
Objects
Nancy Fouts
Exit Jesus
£15,000
View Work
Harland Miller
Hz So Good
A visually striking work from Miller’s celebrated book-cover series, blending wordplay with painterly charm.
Hz So Good
Editions
Harland Miller
Hz So Good
£2,750
View Work
Tim Fishlock
Tea and Basquiats | Francis Bacon
Bold, dynamic, and rich in social commentary—Fishlock’s typography-driven pieces demand attention.
TEA AND BASQUIATS
Originals
Tim Fishlock
TEA AND BASQUIATS
£2,250
FRANCIS BACON
Originals
Tim Fishlock
FRANCIS BACON
£2,250
Raymond Pettibon
No Title (Fck All Y'All!)
A rebellious, high-energy work that encapsulates Pettibon’s raw, expressive fusion of text and imagery.
No Title (Fck All Y'All!)
Editions
Raymond Pettibon
No Title (Fck All Y'All!)
£4,875
View Work
"​​But I love words and I believe in the power of words to help us interpret and understand the world. I find them - the shape of them, the often multiple meanings of them – endlessly fascinating."
Tim Fishlock, 2019

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