I am thrilled to offer you two fantastic unsigned Banksy works, both in excellent condition.

To the best of our knowledge, we currently offer the most competitive prices for both artworks in the current market.

If you would like to make an offer or have any questions, please do not hesitate to reach out and I would be happy to help.

Please do remember that both of these works are available to purchase on finance with Art Money. If you have any questions on this subject, do get in touch and I would be happy to have a chat.

Best wishes,

Madeleine

Napalm uses the depiction of nine-year-old Kim Phuc running from the horror of a Napalm blast, as captured by Nick Ut during the Vietnam War.

Banksy juxtaposes the screaming girl with grinning portrayals of Ronald McDonald and Mickey Mouse who are leading her away.

This contrast between a suffering child of war and two American icons of consumerism shows Banksy’s critique of the military-industrial complex, linking violent conflict and capitalism.

Happy Choppers made its debut at the Santa's Ghetto exhibition, a poignant piece crafted by the artist to shed light on the Israel-Palestinian conflict and the hardships endured in the West Bank. Before being released as a screen print, Happy Choppers first appeared in 2002 as a sprayed mural in Central London at the Whitecross Street Market.

This composition provides a juxtaposition of innocence and warfare that is often seen in Banksy's body of work. The focal 'chopper' boasts a striking pink bow, an emblem of innocence starkly set against the backdrop of warfare.

Happy Choppers marks one of Banksy's earliest explorations of the helicopter motif, a theme he revisits frequently. This symbol of military intervention has become integral to his artistic identity, serving as a powerful vehicle for social commentary throughout his career.