As David Hockney celebrates his 88th birthday, the question looms large: is he the most important living artist today? Born in Bradford in 1937, Hockney has been pushing boundaries for more than six decades. From the sun-soaked swimming pools of LA to iPad drawings of East Yorkshire, his work is as instantly recognisable as it is endlessly reinvented. But what makes him so significant — and does he deserve the top spot?
Expand Your Own Collection
Available Hockney Works1. A Relentless Innovator
Few artists have remained as creatively restless as Hockney. He embraced photography in the '80s, iPads in the 2010s, and continues to exhibit internationally into his late 80s. Hockney doesn’t follow trends — he sets them, and often decades in advance.
“He’s the rare artist who’s managed to stay ahead of the curve without ever feeling like he’s chasing relevance.”
— The Guardian
David Hockney, Untitled No. 516
2. A Master of Colour, Space, and Joy
From A Bigger Splash to his digital Yosemite landscapes, Hockney’s work radiates optimism, intimacy, and innovation. He redefined how we look at light and space often flattening perspective or playfully distorting time. His style is unmistakable, but it’s never stagnant.
David Hockney, A Bigger Splash
3. Art Market Powerhouse
Hockney held the title for the most expensive work ever sold by a living artist (Portrait of an Artist [Pool with Two Figures] sold for $90.3 million at Christie’s in 2018). His pieces continue to dominate both primary and secondary markets.For collectors, institutions, and investors, Hockney is as blue-chip as it gets.
David Hockney, Portrait of an Artist [Pool with Two Figures]
4. A Cultural Icon
As an openly gay man in the 1960s, Hockney paved the way for generations of queer artists. His personal life and politics have always infused his practice — subtly, defiantly, or playfully. His art isn’t just beautiful — it’s meaningful.
5. Still Making Work — and Headlines
While many of his contemporaries have slowed down or passed away, Hockney remains prolific. In 2025, he unveiled David Hockney 25 at the Louis Vuitton Foundation.
“This exhibition means an enormous amount because it is the largest exhibition I’ve ever had – 11 rooms in the Fondation Louis Vuitton. Some of the very last paintings I’m working on now will be included in it, and I think it’s going to be very good.”
- David Hockney
David Hockney, Play within a Play within a Play and Me with a Cigarette, 2024-2025
So… Is He the Greatest?
That depends on how you define “important.” But if it means boundary breaking, culture-shifting, joy sparking, and globally beloved then yes, Hockney might just be it.
Explore Hockney Works Now Available
Henry Geldzahler with Hat
- 1976
- Lithograph on paper
- Edition of 96
- Signed and numbered by the artist
- 31cm x 36cm
- Sold framed
Henry Geldzahler is best remembered for his tenure at the Metropolitan Museum of Art (the Met) in New York, where he served from 1960 to 1977. He was the museum’s first Curator for 20th-Century Art, a bold move at the time for such a traditionally classical institution. Hockney found in Geldzahler not just a friend, but a brilliant mind and a powerful critic who could offer rare insight.
iPad Drawing No. 610, 23rd December
- 2010-2019
- iPad drawing, 8-colour inkjet print on cotton-fiber archival paper
- Edition of 250
- Signed, numbered and dated by the artist
- 43cm x 56cm
- Sold framed
The artist says about his series of iPad drawings: "I love drawing on an iPad and I thought it was a terrific medium. Everything is at your fingertips and there is no cleaning up. There is an a huge artistic potential and I saw a new medium. I don't care about trends.”
220 for 2020. Art Edition No. 201–300 ‘Two Chairs and Rain on Window’
- 2019
- Inkjet print on paper
- Edition of 100
- Signed and numbered
- 103cm x 46cm
- Sold framed
£35,000
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For 'David Hockney – 220 for 2020. Art Edition No. 201–300 ‘Two Chairs and Rain on Window’'
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David Hockney – 220 for 2020. Art Edition No. 201–300 ‘Two Chairs and Rain on Window’ United States
Lockdowns in 2020 became the norm across the world. During this time Hockney was on lockdown in Normandy, and closely followed the changing seasons by depicting the scenes on his IPad. Titled 220 of 2020, this project became a lifeline for him and he give a message of hope; “Remember they can't cancel the spring.”
Madeleine White
Senior Sales and Acquisitions
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