Tracey Emin has made a triumphant return to New York, unveiling a significant inaugural exhibition at White Cube's new gallery on 1002 Madison Avenue.
Known for her unfiltered honesty, Emin has openly shared her health struggles in recent years. Confronting an aggressive cancer diagnosis at the age of 56, she underwent transformative surgery. Her candidness about the challenges and gradual recovery serves not only as a personal outlet but also as a source of support for the many others grappling with similar issues.

White Cube New York
© White Cube (Nicholas Venezia)
“I say something and it’s considered to be ‘a confession’. I’m not confessing that I had cancer, I’m not confessing that I’ve got a urostomy bag. I have had cancer and I have a urostomy bag. It’s a statement.”
– Tracey Emin in the Guardian, 2021

Tracey Emin at her studio in Margate
Charlie Gates for The New York Times
Three years after her health ordeal, Emin showcases her resilience through Lovers Grave, an exhibition featuring 26 new paintings and works on paper, crafted in her London and Margate studios.

Tracey Emin ‘Lovers Grave’ White Cube New York
Courtesy the artist, photo © White Cube
The inspiration behind Lovers Grave is drawn from archaeological burial sites, where excavated human remains are discovered entwined in a perpetual embrace. Emin is captivated by the idea of enduring love transcending into the afterlife, considering it a fundamental element of existence.
Within these works, love is interred, and yet, from this sepulchral setting, new life emerges—an idea Emin describes as a metaphorical phoenix rising from the ashes. This theme of resurrection holds special significance for Emin, given the profound impact her recent life-threatening illness had on both her physical well-being and artistic perspective.


Tracey Emin ‘Lovers Grave’ White Cube New York
Courtesy the artist, photo © White Cube
The exhibition boasts massive 9ft acrylic paintings, featuring Emin's iconic scrawled lying figures set against a backdrop of dripping reds, pinks, blacks, and blues. These commanding pieces starkly contrast with smaller 20-centimetre, purple-hued ethereal paintings, embodying the liminal space of Emin's current existence.

Tracey Emin, I went home, 2023, Acrylic on canvas
Courtesy the artist, photo © White Cube
But the announcements don’t end there. As of November 15th, Emin is set to be appointed to the British Museum's board of trustees, becoming the first female Royal Academician to do so. Moreover, in August, Emin acquired a dilapidated seafront building in her hometown of Margate, establishing an art school and an 18-month residency program last year.
What lies ahead for this prolific artist?
See Lovers Grave at White Cube New York, 4 November 2023 – 13 January 2024.
Sophie Gibbons
Gallery Operations and Sales Specialist
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