When David Hockney’s The Arrival of Spring, 19th February, achieved £762,000 at Sotheby’s this month, it was a reaffirmation of the artist’s enduring power to inspire confidence among collectors and to remain a defining force in contemporary art. Decades into his career, Hockney continues to set benchmarks for creativity, market strength and artistic relevance.
The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) - 28 April
Signed in pencil, dated and numbered 15/25
iPad drawing printed in colours on wove paper
139.7 x 105.4 cm
Estimate £120,000 - £180,000
Sold £698,500
Created on an iPad in 2011, Hockney’s Arrival of Spring series marked a decisive shift. A moment when the artist, long celebrated for his restless curiosity, turned digital technology into a painting. What began as a daily exploration of Yorkshire’s changing landscape became one of the most recognisable and sought-after editioned series of the past decade.
The Arrival of Spring in Woldgate, East Yorkshire in 2011 - 17 May
Signed in pencil, dated and numbered 15/25
iPad drawing printed in colours on wove paper
139.7 x 105.4 cm
Estimated £80,000 - £120,000
Sold £419,100
The dedicated Hockney print sale total was staggering £6,210,300 not only speaks to Hockney’s enduring appeal but also to a broader market trend. Collectors are showing renewed appetite for editioned works by major artists: pieces that combine the authority of a celebrated name with the accessibility and democratic spirit of multiples.
The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) - 2 June
Signed in pencil, dated and numbered 15/25
iPad drawing printed in colours on wove paper
139.7 x 105.4 cm
Estimated £120,000 - £180,000
Sold £635,000
Hockney’s digital drawings sit at the heart of that movement. They resonate across generations, from those who have followed his evolution since the 1960s to newer collectors drawn to his ongoing exploration of medium and method. His work embodies that rare balance between experimentation and timelessness, reminding us that innovation and beauty can coexist without compromise.
The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) - 19 February
Signed in pencil, dated and numbered 15/25
iPad drawing printed in colours on wove paper
139.7 x 105.4 cm
Estimate £120,000 - £180,000
Sold £762,000
For collectors navigating today’s art landscape, the message is clear: markets reward authenticity and vision. When an artist reinvents their practice without losing their voice, as Hockney so consistently has, the results carry both creative depth and lasting value.
At Hang-Up Gallery, we see this moment as a celebration of that balance. A reminder that collecting, at its best, is as much about curiosity as it is about connoisseurship.
Looking to sell your collection?
Find out how we can help hereCharlotte Bain
Art Consultant
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